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Hdr and Capturing Photos for Hdr Processing

More Information About HDR

What is HDR?

First and foremost, let's talk about what HDR images are. Because this is a fairly new subject in photography, the term may not be known to you yet; however, the concept behind it is rather old. Dynamic Range simply put, is a measure of how many levels of light an image capture device, such as your digital camera, or film can capture. Think about shooting a bright sunrise. Why is it that when the sun is exposed properly, the rest of the image appears dark and underexposed? Simple, because the camera used to capture the image has less Dynamic Range than the scene being captured. A sunrise is a high-contrast situation. The rising sun and the surrounding sky are hundreds of times brighter, than other elements in the image. While digital sensors are extremely sophisticated, and so are film emulsions, some scenes are still too much for them to render for bright highlights, and deep shadows. This is where the concept of an HDR image comes in. You know that if you shoot a sunrise, and meter for the sun, the rest of the scene will be dark, likewise if you meter for the rest of the scene, the sun and the sky will turn into a sheet of white. What if you could bracket your exposures, but later take properly exposed portions of each exposure of a particular scene, and put them all together into a single beautifully exposed image? That's what an HDR image is.
Software

Using special software, Photomatix is what I find to be best, you merge the exposures together, let the software generate a 48bit image, and you then tone map the image, or in plain English, you adjust the image to make sure that both highlights and shadows are represented correctly.

Capturing Photos for HDR

Let's talk about the details of capturing an HDR image. First and foremost, unless you can shoot very still, and at a fairly high rate of speed, a tripod is a very necessary device. Most serious photographers already use a tripod despite having fast lenses, often with optical image stabilization, so take them as an example. Second, while shooting a completely static scene is the most common method, dynamic scenes will produce beautiful HDR images, when shot correctly. The most important part of producing a good HDR image is spacing exposures correctly. I wish I could say: "Always bracket by 1.5 stops and you will have an excellent sequence!" That would be easy. Unfortunately, the spacing between exposures will vary, based on the scene. There is no limit, other than your computer's memory to how many exposures of the scene you use. Realistically, most situations will be covered by three exposures. Unless I can see that a scene has extreme variations in contrast, I will space the images 1½ or use a one-third stop if the camera offers it. I ALWAYS shoot RAW. Using RAW, I cheat at times, and underexpose or over expose a copy of one of the images in an HDR sequence. I then use this under, or overexposed image along with other "Real" photos to generate my final HDR composite image. Some cameras offer a custom setting, which you could program with any settings. With my 5D I have a custom switch on a thumb wheel, which I use for my HDR shoots. I have this custom switch pre-configured with Bracketed exposures, and an ISO setting of 50. I can always change the ISO, but I try to keep it at 50 to reduce noise. Remember, as you combine exposures, you also increase noise. Your choice of software will vary, and every image will look best at different settings. There is no one silver bullet here, you will have to use a lot of trial and error.

Summary

To summarize, producing high quality HDR images is primarily in the exposures you make of the scene. Expose your primary shot for the part of the scene that is most important, and bracket other exposures from there. Try to capture fewer exposures at first, and study your final products to figure out what you need to do better. Experiment with exposure bracketing. Try different spacing, and with time you will find what works best for you. After all, even with HDR imaging, some people will choose to expose for more shadows, while others for more highlights. Try to streamline your image capture process with custom camera functions. There is a lot of information online about the available software, and the process itself. This article is a good start, and will hopefully get you on your way towards great HDR images. Nonetheless, use other resources, and experiment!

Sam Zaydel



Suggested Reading:
A World in HDR
by Trey Ratcliff
A World in HDRHigh dynamic range (HDR) photography lets you capture the myriad colors and levels of light that you can see in the real world, and the results are amazing photographs that run the gamut from super real to surreal. Explore this fantastic realm of photography through the unique vision of renowned travel photographer Trey Ratcliff.

New Riders Press; 1 edition (November 30, 2009)
Paperback: 216 pages
Product Description:

In this book, Trey shares his phenomenal HDR photographs as well as backstory on the adventurous circumstances of their origin. He also reveals the techniques he used to get the final shot. The breathtaking images gracing these pages and the author's real-world advice for capturing and manipulating images will inspire you to create your own HDR magic. So Trey also includes his simple and straightforward tutorial that teaches you everything you need to know to make your own HDR photographs, whether you're a beginner, amateur, or professional. A unique blend of practical and inspirational, this book features:
  • a breathtaking collection of HDR photographs
  • engaging explanations of how the author took or manipulated an image
  • expert tips for achieving stunning results (and avoiding common mistakes)
  • a fool proof HDR tutorial and software recommendations
About the Author:

Trey Ratcliff is best known for his website, StuckInCustoms.com, which gets over 250,000 unique visitors each month. His photography has been featured in numerous shows around the world, as well as on the BBC and NBC, ABC, and FOX television. In addition, one of his HDR (High Dynamic Range) photographs was the first of its kind to hang in the Smithsonian. Trey's specialty is his own take on HDR photography: Having grown up blind in one eye, he has a unique way of navigating and capturing the 3D world. That vision, combined with an educational background in computer science and math, leads him through an algorithm-like process for photography that can evoke palpable memories.

©2004 - 2010




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